Complete releases from sessions between September 1920 and September 1921 in Camden and Chicago; 26 tracks and over 79 minutes total. A packed 28-page booklet reveals previously unknown details about the life and business of impresario Edgar A. Benson, the man who controlled the dance-band scene in Chicago for many years. This is the band that popularized...
28 songs from 1907-1910, recorded in Camden and New York, with a lavish 28-page booklet containing newly discovered biographical data and rare graphics. Includes all the early rare Victors and Columbias, as well as the Edison 4-minute cylinder of "A Singer Sang a Song," and the Indestructible cylinder of "In the Right Church, but in the Wrong Pew." The...
Complete releases from 1912-1914, with two bonus tracks from 1910 before the ensemble took the name of the Heidelberg Quintet; 26 total songs, including three Edison 4-minute cylinders. Lead vocals by Billy Murray and countertenor Will Oakland. Features a 24-page booklet with previously unpublished notes on the group and a complete reprinting of the...
30 songs from 1903-1940 that provide a career retrospective of the most popular recording artist of the acoustic era. Includes the rare brown wax cylinder of "The Way to Kiss a Girl" from one of Billy's first recording sessions for Columbia, and "It's the Same Old Shillelagh," peformed with Harry's Tavern Band in his comeback of 1940. Features...
The second volume of The Complete Bert Williams. 26 songs from 1910-1918, recorded in New York, including two monologues that were held for release until after Bert's death: "How? Fried" and "You Can't Do Nothing Till Martin Gets Here." 24-page booklet with rare graphics, and notes co-written by Allen G. Debus. Also features the entire article "The Comic...
The third volume of The Complete Bert Williams. 24 songs from 1919-1922, recorded in New York and Chicago, including both "Elder Eatmore" sermons. Booklet now (2005) expanded to 20 pages, with notes on Williams' final years, sheet music illustrations, and other rare graphics. Sound of some noisier tracks now improved.
Second edition (2005), featuring newly remastered sound, one bonus track, and expanded and enhanced 20-page booklet. 22 selections, recorded between 1916 and 1919, including one rejected take from 1917, and two final selections from 1927. Marion Harris was the first female vocalist to record songs with "jazz" and "blues" in their titles; she exemplifies...