Centennial will be released on August 30, 2024; order before August 1 for the steepest discount. The 1923 recordings by King Oliver’s working Chicago band are the stuff of legend. Nothing like them had ever been heard on record before, and nothing in jazz would be the same afterward. Here, for the first time, all 37 sides are presented—in release order—on...
2023 Grammy Nominee, Best Historical AlbumLike Icarus flying dangerously close to the sun, Loren McMurray was an all-too-bright flame in the nascent field of jazz recordings. Dead at only 25, and having made records for just two years, “Mac” was a genuine musical pioneer. His trailblazing sides offered many listeners their first real taste of jazz...
Under the pseudonym “Carl Fenton,” Gus Haenschen led some of the tightest orchestra recordings of the 1920s—but he also oversaw the musical direction at the Brunswick label, where he signed Isham Jones, Al Jolson, Nick Lucas, Abe Lyman, the Happiness Boys, and even Charlie Chaplin. Haenschen probably would not have gotten that job had it not been for his...
America was hot to trot in 1913, when a craze for social dancing swept across the nation. Vernon and Irene Castle were the faces of that cultural revolu-tion— and the soundtrack was composed by James Reese Europe and played by his bands. An esteemed musician, bandleader, and labor organizer on behalf of his fellow African Americans, Europe described his...
It took a violin virtuoso leading the band at an upscale New York hotel to turn the world of dance records upside down. Eschewing the cold, impersonal arrangements of military bands, Joseph C. Smith brought a warmth and intimacy to the soundtrack of the 1910s dance craze--always with taste and discipline. He reinvigorated the waltz, helped standardize the...
Years before writing "It Had to Be You," Isham Jones honed his craft at Mann's Rainbo Gardens in Chicago—composing, arranging, and perfecting songs that he and his band performed nightly before the dinner-and-dance patrons. Jones' style, capturing elements of the social dance craze of the 1910s and anticipating the jazz revolution of the 1920s, offers a...
With 24 tracks, Broadway's Favorite Clowns features the selections not included in our first collection of the Six Brown Brothers' work. Brown Brothers expert Bruce Vermazen again provides the notes and research, and the set is packaged with a 24 page full-color booklet with rare photos and illustrations.
"Ain't Gonna Settle Down" features all 14 recordings made by the obscure but remarkable cabaret star Mary Stafford in 1921 and 1926 and 32 selections by Louisville-born Edith Wilson, covering her entire released repertoire from 1921 to 1930. A handsomely illustrated 32-page booklet with notes by blues scholar Steve Tracy accompanies the two CDs. These...
The San Francisco Sound: Volume 2 compiles 25 selections from Hickman's 1920-1921 sessions together with extensive notes by Bruce Vermazen in a 24-page booklet. The follow-up to our first collection of Art Hickman's recordings, this second volume brings to a close the story of the influential band's dominance of dance floors on both U.S. coasts.
Vaudevillian Wilbur C. Sweatman impressed audiences by playing three clarinets at once, but he was more than just a novelty. A transitional figure in the move away from ragtime and into jazz, Sweatman and his band were the hottest and the best players of the Dixieland style of jazz that erupted onto the American music scene in the late 1910s. 25 tracks,...
The San Francisco Sound, Volume 1 compiles 25 selections from Hickman's 1919-1920 sessions together with extensive notes by Bruce Vermazen in a 24-page booklet. Hickman's sound influenced big band 20 years later, but you will be amazed at just how hot these guys could play!
26 tracks, recorded between 1911 and 1927, spanning the entire career of this saxophone troupe that started the "saxophone craze" of the 1910s, and comprising roughly half of their recorded output. Beautiful 24-page, full-color booklet contains extensive notes by Brown Brothers expert Bruce Vermazen, and it includes uncommon illustrations from Vermazen's...
Complete releases from sessions between September 1920 and September 1921 in Camden and Chicago; 26 tracks and over 79 minutes total. A packed 28-page booklet reveals previously unknown details about the life and business of impresario Edgar A. Benson, the man who controlled the dance-band scene in Chicago for many years. This is the band that popularized...