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One of the most extraordinary performers of the early recording industry, Eddie
Morton was a top vaudeville draw for 20 years. Morton could really deliver
a song, make it his own, and give it over to an audience. He had good humor,
a real warmth, impeccable timing, and he could "put over" a song
on the money notes, always ending with a very strong finish. Eddie is so personable
in his delivery, you may feel like you know him. If you want to know what vaudeville
sounded like, Eddie Morton is the real deal!
"The Singing Cop"
From about 1898 until about 1905 or 1906, Eddie Morton worked for the Philadelphia
Police Department, where he gained a reputation as a singer. He took a chance
on variety and made his mark on the Madison Square Garden rooftop in the
summer of 1907 as a cast member of The Maid and the Millionaire. He immediately
got a recording contract. Unlike many of his contemporaries who made only
a handful of records or none at all, Eddie graced the world with more than
50 recordings, and here is the first of an eventual two-volume set covering
his career. His first stage hits, "That's Gratitude" and "Just
a Friend of the Family" (the latter a hit for Williams and Walker),
are both here. So too is a very funny number that incorporates some stage
talk into the verses, "The
Party that Wrote ‘Home, Sweet Home' Never Was a Married Man." We've
put the entire song for you to hear, and we're sure you'll want to hear more!
Imitator of Bert Williams
Morton's early specialty was "coon" songs. He sang songs popularized
by Bert Williams, many of which were recorded by Arthur Collins, such as "Somebody
Lied" and "The Right Church but the Wrong Pew." Like Williams
and Collins, Morton was a baritone, and lucky for us today, recording company
brass at the time didn't want overlap between Morton and the other two, so
he didn't record his stage hits such as "Moving Day" and "The
Preacher and the Bear"—those were left to Collins. Eddie instead
recorded the big-show-finisher "I'd
Rather Be a Minstrel Man than a Multi-Millionaire" and "Music
Makes Me Sentimental." If you like Bert Williams, you will definitely
enjoy this CD, but where Bert talks his way into your heart, Eddie sings his
way there.
Comical Songs
Often the humor of 100 years ago doesn't seem so funny nowadays. Not so with
this collection. "That's the
Fellow I Want to Get," "A Singer Sang a Song," "Let
George Do It" (based on the comic strip by George McManus), and "I
Won't Be Back Till August" will genuinely have you laughing. And,
if a little ethnic humor is your thing, "In Ireland" and "Mariuch" will
fill the bill. Drinking songs? "Then We'll All Go Home" will do
the trick. There's a little of everything here. One of the most pleasing
songs of all is "Oh, You Dream," the
Jerome and Schwartz composition that tenderly and favorably compares the
singer's beloved to all the top stars of the variety stage. It's a poignant "who's
who" of a love song.
Like an Afternoon at the Show
Terrific singing, funny songs, a clear delivery, and a personal, accessible
style make Eddie Morton the true "sound of vaudeville." It's like
taking an afternoon to go to the matinee. This CD packs in 28 songs, nearly
79 minutes in all, and a 28-page booklet full of rare sheet music, pictures,
advertisements, and previously unpublished, newly discovered facts about
Eddie's early life. And the sound of the records is unparalleled in our catalogue.
All the tracks are from 1907-1910, and they never sounded better!
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